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Product no.: 31081a

„Land der dunklen Wälder“ (country of the dark woods) is the final choral of the "Oratorium der Heimat" (Oratory of the Homeland) by Herbert Brust. It became the state anthem of East Prussian in the early 1930s due to its rapidly growing publicity. Here it is arranged for piano/organ by Wilhelm Kaiser-Lindemann.

6.42 *
Delivery weight: 22 g

In stock
can be shipped within 3-5 days

Product no.: 31429a

“I wrote this lullaby for my granddaughter Romina. But in this form as a four-part canon, the piece goes beyond the usual - it's hard to imagine that seven people gather around a cot and sing to the baby, in different languages at that. Non ti toc-chi il Corona, you only want to be loved. Global.”

This canon was created in September 2021.

25.68 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31428

This chanson Für das Unbekannte (For the unknown) was created in September 2021.

18.19 *
Delivery weight: 22 g

In stock
can be shipped within 3-5 days

Product no.: 31397a

“I wrote this lullaby for my granddaughter Romina. But in this form as a four-part canon, the piece goes beyond the usual - it's hard to imagine that seven people gather around a cot and sing to the baby, in different languages at that. Non ti toc-chi il Corona, you only want to be loved. Global.”

This canon was created in September 2021.

25.68 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31446

Ennio Morricone's legendary theme music from the Italo Western Once Upon a Time in the West (Man with a Harmonica) arranged for 12 cellos by Wilhelm Kaiser-Lindemann.

58.85 *
Delivery weight: 85 g

In stock
can be shipped within 3-5 days

Product no.: 31447
The famous Bacchanale and the enchanting duet between Samson and Dalila from the opera of the same name by Camille Saint-Saëns here in an arrangement for 12 cellos and harp ad lib.
from 23.54 *
Delivery weight: 440 g

In stock
can be shipped within 3-5 days

Product no.: 31441

A musical-philosophical poem

This piece of music is about the psy-chogram of a modern person who is affect-ed by the feeling of always experiencing the eternal return of the same thing in a hamster wheel. Despite narrowness and repetition, it also has its good points: relia-bility and predictability, safety and happy moments, but also the strength to stay  in the hamster wheel . In return you receive reward for possession and power. Musical-ly, this is expressed with irregularly ac-cented but energetic eighth notes as a drive. The four-bar periodic appears symmetrical, but is broken asymmetrically in its 3-1 con-stellation, which later changes into a three-bar periodic.
But people always want more and thus feel a convergence of a developing becoming and being. However, the tasks of life – pre-sented in the form of additional and con-stantly changing topic and rhythm com-plexes – result in an overload. This causes stress, which increases to the point of col-lapse. The hamster wheel becomes unbal-anced, an impending heart attack is ignored, and it quickly bursts. The result: chaos, floating between life and death, extreme pain. Soon, however, recovery slowly sets in and with it hope for new harmony. A subsequent chorale and prayer express grat-itude. A  Zwiefacher1 shows, not without irony, the futile and ultimately pointless attempt to achieve a new simplicity. Inevi-tably it goes back to the apparently mean-ingful element of life, the hamster wheel, which now spins even faster and seals fate.

* a southern German folk dance with a quick tempo and changing beat pattern

from 38.52 *
Delivery weight: 286 g

In stock
can be shipped within 3-5 days

Product no.: 31380

The Drei Legenden ohne Worte (Three Legends Without Words) were conceived for practical reasons as a double function for piano and small organ (two manuals, without pedal). Stylistically they are very different and tasteful. Jazz influences can be found in No.3.

12.84 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31004

Responding to the unrelenting insistence of the “catchy tune” Summertime from George Gershwin’s opera Porgy and Bess, these summer inspirations for 12 cellists with an optional double bass are the result. Images like this appear in the mind's eye

... a summer like it used to be
...a Midsummer Night's Dream
... a short but refreshing swim in the brook (Germ.: Bach)
... the blue from the sky

The political and economic “silly season” known as the “summer slump” in the sense of vacuum is also given a musical tribute here.

94.16 *
Delivery weight: 105 g

In stock
can be shipped within 3-5 days

Product no.: 31319

This composition was created in 1924 together with a number of other piano pieces.

7.49 *
Delivery weight: 22 g

In stock
can be shipped within 3-5 days

Product no.: 31415

This chanson Landkartenzunge from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau.

7.49 *
Delivery weight: 22 g

In stock
can be shipped within 3-5 days

Product no.: 31413a

What if you no longer love your partner but they still love you?
This chanson Du liebst mich (You love me) from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau.

8.56 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31397

“I wrote this lullaby for my granddaughter Romina. But in this form as a four-part canon, the piece goes beyond the usual - it's hard to imagine that seven people gather around a cot and sing to the baby, in different languages at that. Non ti toc-chi il Corona, you only want to be loved. Global.”

This canon was created in September 2021.

43.87 *
Delivery weight: 50 g

In stock
can be shipped within 3-5 days

Product no.: 31355

The song "Wir sind die Steine" (We are the stones) op. 52 for voice and piano after a poem by Stefan Zweig (1881-1942) was composed in 1932.

8.56 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31357
Getreues Herze (The loyal heart) is a song by Karl-Friedrich Albes based on a poem by Paul Flemming.

 

9.63 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31398

“I wrote this lullaby for my granddaughter Romina. But in this form as a four-part canon, the piece goes beyond the usual - it's hard to imagine that seven people gather around a cot and sing to the baby, in different languages at that. Non ti toc-chi il Corona, you only want to be loved. Global.”

This canon was created in September 2021.

47.08 *
Delivery weight: 55 g

In stock
can be shipped within 3-5 days

Product no.: 31366
Abendlied (Evening song) by Karl-Friedrich Albes is a setting of a poem by Matthias Claudius.

 

8.56 *
Delivery weight: 22 g

In stock
can be shipped within 3-5 days

Product no.: 31430

This chanson New Song was created in April 2021.

Lyrics:
Where's the song gone when this song is over and our love has gone?
There's a new song, a new song all over,
and a new love waiting.
 
Where has time gone when this life is over and our love has gone?
There's a new life, a new life all over,
and a new love waiting.
 
Where has love gone when this life is over and our love has gone?
There's a new life, a new life all over,
and a love unfading ...
Liedtext:
Where's the song gone when this song is over and our love has gone?
There's a new song, a new song all over,
and a new love waiting.
 
Where has time gone when this life is over and our love has gone?
There's a new life, a new life all over,
and a new love waiting.
 
Where has love gone when this life is over and our love has gone?
There's a new life, a new life all over,
and a love unfading ...
7.49 *
Delivery weight: 33 g

In stock
can be shipped within 3-5 days

Product no.: 31217

The only obvious and previously known concept of the Préludes op. 28 by Frédéric Chopin is the way through the circle of fifths similar to Bach's Well-Tempered Clavier. On the other hand, Chopin's authentic notes on the pieces, which give a new and intimate insight into the mood and intention under which he composed the individual préludes, are generally unknown. The knowledge of these annotations, which can be understood as thematic surtitling, now enables the interpreter, to a much greater degree than before, to empathize, to reflect on and to pass on to the listener the mood underlying the individual preludes in their phase of creation.

Chopin shared these deeply personal notes on the Préludes with his pupil, assistant and intimate friend Karol Mikuli (1821-1897), who at the time was considered the the most authentic Chopin interpreter par excellence. In the succession of other generations of students, in which the knowledge of these remarks was carried on, are such famous names as Raoul Koczalski (1884-1948), Edwin Fischer (1886-1960) and Wilhelm Kempff (1895-1991).

32.10 *
Delivery weight: 121 g

In stock
can be shipped within 3-5 days

Product no.: 31443

A musical-philosophical poem

This piece of music is about the psy-chogram of a modern person who is affect-ed by the feeling of always experiencing the eternal return of the same thing in a hamster wheel. Despite narrowness and repetition, it also has its good points: relia-bility and predictability, safety and happy moments, but also the strength to stay  in the hamster wheel . In return you receive reward for possession and power. Musical-ly, this is expressed with irregularly ac-cented but energetic eighth notes as a drive. The four-bar periodic appears symmetrical, but is broken asymmetrically in its 3-1 con-stellation, which later changes into a three-bar periodic.
But people always want more and thus feel a convergence of a developing becoming and being. However, the tasks of life – pre-sented in the form of additional and con-stantly changing topic and rhythm com-plexes – result in an overload. This causes stress, which increases to the point of col-lapse. The hamster wheel becomes unbal-anced, an impending heart attack is ignored, and it quickly bursts. The result: chaos, floating between life and death, extreme pain. Soon, however, recovery slowly sets in and with it hope for new harmony. A subsequent chorale and prayer express grat-itude. A  Zwiefacher1 shows, not without irony, the futile and ultimately pointless attempt to achieve a new simplicity. Inevi-tably it goes back to the apparently mean-ingful element of life, the hamster wheel, which now spins even faster and seals fate.

* a southern German folk dance with a quick tempo and changing beat pattern

27.82 *
Delivery weight: 94 g

In stock
can be shipped within 3-5 days

Product no.: 31442

A musical-philosophical poem

This piece of music is about the psy-chogram of a modern person who is affect-ed by the feeling of always experiencing the eternal return of the same thing in a hamster wheel. Despite narrowness and repetition, it also has its good points: relia-bility and predictability, safety and happy moments, but also the strength to stay  in the hamster wheel . In return you receive reward for possession and power. Musical-ly, this is expressed with irregularly ac-cented but energetic eighth notes as a drive. The four-bar periodic appears symmetrical, but is broken asymmetrically in its 3-1 con-stellation, which later changes into a three-bar periodic.
But people always want more and thus feel a convergence of a developing becoming and being. However, the tasks of life – pre-sented in the form of additional and con-stantly changing topic and rhythm com-plexes – result in an overload. This causes stress, which increases to the point of col-lapse. The hamster wheel becomes unbal-anced, an impending heart attack is ignored, and it quickly bursts. The result: chaos, floating between life and death, extreme pain. Soon, however, recovery slowly sets in and with it hope for new harmony. A subsequent chorale and prayer express grat-itude. A  Zwiefacher1 shows, not without irony, the futile and ultimately pointless attempt to achieve a new simplicity. Inevi-tably it goes back to the apparently mean-ingful element of life, the hamster wheel, which now spins even faster and seals fate.

* a southern German folk dance with a quick tempo and changing beat pattern

18.19 *
Delivery weight: 99 g

In stock
can be shipped within 3-5 days

Product no.: 31445

Songs by the Kiel composers Heinrich Andreas Kellner and Nicolaus Theodor Reimer in the Göttingen collection “Euphrosyne”.

This first critical edition contains extensive explanations of the composers and the song collection. Some of the songs are included on the CD “Kieler Liedgut around 1800”.

Content:

  1. Letzter Wunsch (Last Wish) [7']
  2. Der Flausrock (The fleece coat) [7']
  3. Ja und Nein, oder die Grazie des Widerspruchs [2' 45"]
    (Yes and No, or the Grace of Contradiction)
  4. Maylied (May song) [2' 35"]
  5. Schnitterlied (Reaper's song) [1' 45"]
  6. Trinklied (Drinking song) [2' 05"]
  7. Wiegenlied (Lullaby) [5' 30"]
  8. Fischerlied (Fisherman's song) [3' 50"]
29.96 *
Delivery weight: 275 g

In stock
can be shipped within 3-5 days

*
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