If music be the food of love, sing on, sing on, sing on ... (Shakespeare)
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Navigation Publishing House Catalog Accordion
Accordion
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Product no.: 31390
This oratorio, completed in February 2022, was premiered on April 14, 2022 at Chiesa del Santissimo Salvatore, Palermo, Sicily. “My oratorio Crucifixus, subtitled De perversione crucis (On the Reinterpretation of the Cross), presents a modern interpretation of Christ's crucifixion: how can it still be said that Jesus died for us? What grace do we have from his martyrdom? Was vom Menschen übrig bleibt This view also reflects the renewed hope that came from my miraculous recovery from symptoms of Parkinson's disease through surgery in 2014." Libretto / Lyrics: Crucifixus est pro nobis! Wieso für uns?
Wieso für uns ans Kreuz geschlagen, Wieso für uns den Schmerz ertragen Wem nützt sein Leid? Was bleibt? (Why for us ... what good comes from his suffering?)
Passus et sepultus, sed pro nobis.
Et iterum venturus est cum gloria
Et resurrexit tertia die secundum scripturas (He suffered and was buried, yet for us. And he has redurned
to life after three days as it is writen in the scriptures.)
Ach, ach, wieso nur er?
Wie konnte er den Tod besiegen? Ein jeder muss dem Tod sich fügen! Was trotzt der Zeit, was bleibt? (Oh, oh, why only him? How could he conquer death?
Everyone must submit to death! What defies time, what remains?) Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden Sein Trost, seine Zusicht Die werden uns bleiben. (What remains of man is not his suffering,
but his consolation and trust in God.)
Et iterum venturus est Was wird aus uns?
Was von uns wird am Ende bleiben, Was von uns bleibt nach Not und Leiden Was trotzt der Zeit, was bleibt? (What will happen to us and what will remain?)
Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht Die werden uns bleiben (... his consolation will remain.)
Note of thanks:
I am forever indebted to the cast of excellent musicians selected by the director of Palermo Classica, Domenico Salerno. Especially to the singers from Teatro Massimo under the guidance of G. Giordano and the orchestra conducted by the fabulous Alessandra Pipitone. I also sincerely thank the presenter Maria Rosa Randazzo for the beautiful introduction and her husband Sandro Crippa for knitting the contacts without which this remarkable concert would never have been possible, incl. Gregorio Caimi who created the magnificent video. Grazie di cuore!
Jürgen Broschart, Juli 2022 |
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4.28 €
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Delivery weight: 33 g
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Product no.: 31423
The term Accompagnato in music denotes an artful accompaniment of a principle melody in polyphonic music. Furthermore, in this particular case, the German composer Juergen Broschart (*1957) has made different melodies compete with each other. Such that each new instrument adds a particular novel atmosphere to the piece, ending in what is reminiscent of a Tango by Astor Piazzola. The work, completed in June 2022 in this version, was premiered on September 4th, 2022 in Palermo (Sicily). |
58.85 €
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Delivery weight: 184 g
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Product no.: 31427
This oratorio, completed in February 2022, was premiered on April 14, 2022 at Chiesa del Santissimo Salvatore, Palermo, Sicily. “My oratorio Crucifixus, subtitled De perversione crucis (On the Reinterpretation of the Cross), presents a modern interpretation of Christ's crucifixion: how can it still be said that Jesus died for us? What grace do we have from his martyrdom? Was vom Menschen übrig bleibt This view also reflects the renewed hope that came from my miraculous recovery from symptoms of Parkinson's disease through surgery in 2014." Libretto / Lyrics: Crucifixus est pro nobis! Wieso für uns?
Wieso für uns ans Kreuz geschlagen, Wieso für uns den Schmerz ertragen Wem nützt sein Leid? Was bleibt? (Why for us ... what good comes from his suffering?)
Passus et sepultus, sed pro nobis.
Et iterum venturus est cum gloria
Et resurrexit tertia die secundum scripturas (He suffered and was buried, yet for us. And he has redurned
to life after three days as it is writen in the scriptures.)
Ach, ach, wieso nur er?
Wie konnte er den Tod besiegen? Ein jeder muss dem Tod sich fügen! Was trotzt der Zeit, was bleibt? (Oh, oh, why only him? How could he conquer death?
Everyone must submit to death! What defies time, what remains?) Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden Sein Trost, seine Zusicht Die werden uns bleiben. (What remains of man is not his suffering,
but his consolation and trust in God.)
Et iterum venturus est Was wird aus uns?
Was von uns wird am Ende bleiben, Was von uns bleibt nach Not und Leiden Was trotzt der Zeit, was bleibt? (What will happen to us and what will remain?)
Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht Die werden uns bleiben (... his consolation will remain.)
Note of thanks:
I am forever indebted to the cast of excellent musicians selected by the director of Palermo Classica, Domenico Salerno. Especially to the singers from Teatro Massimo under the guidance of G. Giordano and the orchestra conducted by the fabulous Alessandra Pipitone. I also sincerely thank the presenter Maria Rosa Randazzo for the beautiful introduction and her husband Sandro Crippa for knitting the contacts without which this remarkable concert would never have been possible, incl. Gregorio Caimi who created the magnificent video. Grazie di cuore!
Jürgen Broschart, Juli 2022 |
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Product no.: 31416
This tango-chanson Loreley Zwei (Lorelei the second one) from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau. |
18.19 €
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Delivery weight: 47 g
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