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Broschart, Jürgen: Wegen Du op. 19

Product no.: 31419

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19.26
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Delivery weight: 22 g


This chanson Wegen Du (Because of "You") from 2013 was released in 2015 on the CD Eigenlieder - Blau auf Grau. The premiere took place in July 2017 in the Christianskirche in Hamburg Altona.

Browse these categories as well: Sheet music, Vocals, Guitar, E-Bass, Saxophone, Chanson
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Broschart, Jürgen: Parkinson im Park op. 20

Product no.: 31420

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46.01
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Delivery weight: 176 g


This chanson Parkinson im Park (Medusa – Parkinson's in the park) from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau.

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Broschart, Jürgen: Für immer anders op. 21

Product no.: 31421

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This chanson Für immer anders (Different forever) from 2014 with the subtitle Reformation was released in 2015 on the CD Eigenlieder - Blau auf Grau. The premiere took place in July 2017 in the Christianskirche in Hamburg Altona.

Browse these categories as well: Sheet music, Vocals, Guitar, Chanson

Broschart, Jürgen: Sei ein Teil von mir op. 22

Product no.: 31422

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This chanson Sei ein Teil von mir (Be a part of me) from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau.

"Membra Jesu nostri", interpreted in a modern way.

Lyrics:
Sei das Herz in mir, wenn ich nichts fühl,
Sei mein Ohr, wenn ich nichts hör,
Sei im Geist bei mir, wenn ich verlier
Allen Trost und Mut in mir.
Sei mein Fuß, auf dem ich steh und geh,
Sei das Ziel von mir in dir,
Sei mein Sinn, dass ich dich fühl und spür,
Sei die Hand, mit der ich dich berühr,
Sei ein Teil von mir, dass ich fühl, dass ich fühle,
Sei ein Teil, dass ich dich spür.
Sei ein Teil von mir,
Sei Teil in mir,
Ein Teil von mir in dir.
Sei ein Teil von mir,
Sei ein Teil von mir in dir.
Du bist du, und ich bin ich,
Und das ist gut so, denn sonst gäb’s mich nicht.
Und ich hab auch keine Lust, stets zu parier’n.
Aber bitte komm und reparier,
Wenn ich mich grad ganz verlier.
Be the heart in me when I feel nothing,
Be my ear when I hear nothing,
Be with me in spirit when I lose
All comfort and courage in me.
Be my foot on which I stand and walk,
Be the goal of me in you,
Be my sense that I feel and sense you,
Be the hand I touch you with,
Be a part of me that I feel that I feel,
 
Be a part that I feel you.
Be a part of me,
Be part of me,
A part of me in you.
Be a part of me,
Be a part of me in you.
You are you and I am me
And that's a good thing, because otherwise I wouldn't exist.
And I don't feel like always parrying.
 
But please come and fix it,
When I lose myself completely.
Browse these categories as well: Sheet music, Vocals, Tenor, Guitar, Chanson

Broschart, Jürgen: Sei ein Teil von mir op. 22a (Bossa-Nova-Version)

Product no.: 31386

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19.26
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Delivery weight: 33 g


This chanson Sei ein Teil von mir (Be a part of me) from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau. Here is an adaptation of the chanson in bossa nova style.

“Originally Sei ein Teil von mir is a spiritual song in the tradition of Buxtehude's Membra Jesu nostri. But in this bossa nova version, heaven comes to the earth of two lovers.”
(The composer)

"Membra Jesu nostri", interpreted in a modern way.

Lyrics:
Sei das Herz in mir, wenn ich nichts fühl,
Sei mein Ohr, wenn ich nichts hör,
Sei im Geist bei mir, wenn ich verlier
Allen Trost und Mut in mir.
Sei mein Fuß, auf dem ich steh und geh,
Sei das Ziel von mir in dir,
Sei mein Sinn, dass ich dich fühl und spür,
Sei die Hand, mit der ich dich berühr,
Sei ein Teil von mir, dass ich fühl, dass ich fühle,
Sei ein Teil, dass ich dich spür.
Sei ein Teil von mir,
Sei Teil in mir,
Ein Teil von mir in dir.
Sei ein Teil von mir,
Sei ein Teil von mir in dir.
Du bist du, und ich bin ich,
Und das ist gut so, denn sonst gäb’s mich nicht.
Und ich hab auch keine Lust, stets zu parier’n.
Aber bitte komm und reparier,
Wenn ich mich grad ganz verlier.
Be the heart in me when I feel nothing,
Be my ear when I hear nothing,
Be with me in spirit when I lose
All comfort and courage in me.
Be my foot on which I stand and walk,
Be the goal of me in you,
Be my sense that I feel and sense you,
Be the hand I touch you with,
Be a part of me that I feel that I feel,
 
Be a part that I feel you.
Be a part of me,
Be part of me,
A part of me in you.
Be a part of me,
Be a part of me in you.
You are you and I am me
And that's a good thing, because otherwise I wouldn't exist.
And I don't feel like always parrying.
 
But please come and fix it,
When I lose myself completely.
Browse these categories as well: Sheet music, Vocals, Tenor, Guitar, E-Guitar, Percussion, Bossa nova
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Broschart, Jürgen: Accompagnato op. 23

Product no.: 31423

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58.85
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Delivery weight: 184 g


The term Accompagnato in music denotes an artful accompaniment of a principle melody in polyphonic music. Furthermore, in this particular case, the German composer Juergen Broschart (*1957) has made different melodies compete with each other. Such that each new instrument adds a particular novel atmosphere to the piece, ending in what is reminiscent of a Tango by Astor Piazzola.

The work, completed in June 2022 in this version, was premiered on September 4th, 2022 in Palermo (Sicily).

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Broschart, Jürgen: Canzone per Eliana op. 24

Product no.: 31424

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Delivery weight: 33 g


This chanson Canzone per Eliana (Song for Eliana) was created in April 2016.

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Broschart, Jürgen: Bredkamp - Lullaby of Broadcamp op. 25

Product no.: 31425

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12.84
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Delivery weight: 33 g


Its associations with Broadway in New York and the Champs-Élysées in Paris make this chanson Bredkamp with the subtitle Lullaby of Broadcamp from 2015 a tongue-in-cheek paean to Bredkamp, the street in Hamburg where the composer lives.

Browse these categories as well: Sheet music, Vocals, Guitar, Flute, Piano, Trumpet, Chanson
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Broschart, Jürgen: Wozu dazu op. 26

Product no.: 31426

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23.54
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Delivery weight: 33 g


This chanson Wozu dazu (What for therefore) was created in April 2017.

Browse these categories as well: Sheet music, Vocals, Guitar, Choir, Chanson

Broschart, Jürgen: Crucifixus – Oratorium op. 27 for soloists, choir and orchestra

Product no.: 31427

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This oratorio, completed in February 2022, was premiered on April 14, 2022 at Chiesa del Santissimo Salvatore, Palermo, Sicily.
Soprano: Antonia Brinkers
Old: Constanze Heller
Tenor: Flavio d'Ambra
Bass: Lukas Gerber
Members of the Opera Choir of the Teatro Massimo in Palermo conducted by Gianfranco Giordano.
Orchestra: Palermo Classica Chamber Orchestra
Direction: Alessandra Pipitone
Introductory words: Maria Rosa Randazzo

“My oratorio Crucifixus, subtitled De perversione crucis (On the Reinterpretation of the Cross), presents a modern interpretation of Christ's crucifixion: how can it still be said that Jesus died for us? What grace do we have from his martyrdom?
The explanation chosen here appeals to the fact that Jesus' comfort and trust in God prevails with us as the pain fades:

Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht
Die werden uns bleiben.

This view also reflects the renewed hope that came from my miraculous recovery from symptoms of Parkinson's disease through surgery in 2014."

Libretto / Lyrics:
The text is a combination of Latin and German. While the traditional interpretation of the crucifixion is in Latin, doubts abd modern ideas are expressed in German.

Crucifixus est pro nobis!
(Jesus has been crucified for us!)

Wieso für uns?
Wieso für uns ans Kreuz geschlagen,
Wieso für uns den Schmerz ertragen
Wem nützt sein Leid? Was bleibt?
(Why for us ... what good comes from his suffering?)
 
Passus et sepultus, sed pro nobis.
Et iterum venturus est cum gloria
Et resurrexit tertia die secundum scripturas
(He  suffered and was buried, yet for us. And he has redurned
to life after three days as it is writen in the scriptures.)
 
Ach, ach, wieso nur er?
Wie konnte er den Tod besiegen?
Ein jeder muss dem Tod sich fügen!
Was trotzt der Zeit, was bleibt?
(Oh, oh, why only him? How could he conquer death?
Everyone must submit to death! What defies time, what remains?)
 
Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht
Die werden uns bleiben.
(What remains of man is not his suffering,
but his consolation and trust in God.)

Et iterum venturus est
Qui passus est
Passus et sepultus, sed pro nobis.
(And it will come back who suffered and was buried.)

Was wird aus uns?
Was von uns wird am Ende bleiben,
Was von uns bleibt nach Not und Leiden
Was trotzt der Zeit, was bleibt?
(What will happen to us and what will remain?)
 
Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht
Die werden uns bleiben
(... his consolation will remain.)
 
Note of thanks:
I am forever indebted to the cast of excellent musicians selected by the director of Palermo Classica, Domenico Salerno. Especially to the singers from Teatro Massimo under the guidance of G. Giordano and the orchestra conducted by the fabulous Alessandra Pipitone. I also sincerely thank the presenter Maria Rosa Randazzo for the beautiful introduction and her husband Sandro Crippa for knitting the contacts without which this remarkable concert would never have been possible, incl. Gregorio Caimi who created the magnificent video. Grazie di cuore!
Jürgen Broschart, Juli 2022
Browse these categories as well: Sheet music, Guitar, Piano, Fagott, Oboe, Accordion, E-Bass, Strings
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