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Navigation Shop Sheet music Gebhard, Hans: Proprium for a holy festival for mixed choir and organ (organ score)

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella

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Navigation Shop Sheet music Gebhard, Hans: Proprium for a holy festival for mixed choir and wind ensemble

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Navigation Shop Sheet music Cornelius, Peter: "The German vow" op. 12.3 for male choir a cappella

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Navigation Shop Sheet music Mozart, Wolfgang Amadeus: Ave verum corpus KV 618 for choir and string orchestra

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Navigation Shop Sheet music Albes, Karl-Friedrich: Three legends without words in styles of yesterday and today for piano/organ

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Navigation Shop Sheet music Bodendorff, Werner: "Im Hamsterrad" op. 1b for organ

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31 - 39 of 39 results

Gebhard, Hans: Proprium for a holy festival for mixed choir and organ (organ score)

Product no.: 31314a
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14.98 €
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Delivery weight: 1,881 g


The "Proprium for a saint festival" for four-part choir and obligatory organ was composed by Hans Gebhard in 1998. Proprium is the term used to describe the parts of Mass that change from one festival to another (in contrast to the Ordinarium, the texts that are always consistent, such as Kyrie, Gloria, etc.).

The motet received the 2nd prize in the composition competition of the Archdiocese of Paderborn (Germany) in 1998.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir, Organ

Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

Product no.: 31316
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3.10 €
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The composition "An den Tod" (To the death) op. 73.1 for boys' choir and male choir based on words by Gerrit Engelke (1890-1918) was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

Lyrics:

An den Tod                                       To death
Gerrit Engelke (1890–1918)                         Gerrit Engelke (1890–1918)
 
Mich aber schone, Tod,                           But spare me, death,
Mir dampft noch Jugend blutstromrot –        Youth is still steaming me blood red –
Noch hab ich nicht mein Werk erfüllt,         I have not fulfilled my work yet,
Noch ist die Zukunft dunstverhüllt –              The future is still covered with haze –
Drum schone mich, Tod!                             So spare me, death!
 
Wenn später einst, Tod,                             When later, once, death,
Mein Leben verlebt ist, verloht                   My life is spent, burned up
Ins Werk – wenn das müde Herz sich neigt, Into the work – when the tired heart declines,
Wenn die Welt mir schweigt –                         When the world falls silent to me –
Dann trage mich fort, Tod!                         Then carry me away, death!
  
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

Product no.: 31317
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12.84 €
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The composition Auf dem Felde der Ehre (In the Field of Honor ) op. 73.2 for male choir with piano or organ accompaniment was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

The movements:

  1. An den Tod (To Death) [3' 10"]
  2. Ritornel [2' 10"]
  3. Bitte (Prayer) [1' 05"]
  4. Abschied vom Leben (Farewell to life) [3' 30"]

Lyrics:

An den Tod                                                  To Death
Gerrit Engelke (1890–1918)                                    Gerrit Engelke (1890–1918)
 
Mich aber schone, Tod,                                      But spare me, death,
Mir dampft noch Jugend blutstromrot –                   Youth is still steaming me blood red –
Noch hab ich nicht mein Werk erfüllt,                    I have not fulfilled my work yet,
Noch ist die Zukunft dunstverhüllt –                        The future is still covered with haze –
Drum schone mich, Tod!                                       So spare me, death!
 
Wenn später einst, Tod,                                        When later, once, death,
Mein Leben verlebt ist, verloht                              My life is spent, burned up
Ins Werk – wenn das müde Herz sich neigt,            Into the work – when the tired heart declines,
Wenn die Welt mir schweigt –                                   When the world falls silent to me –
Dann trage mich fort, Tod!                                   Then carry me away, death!
 
III. Bitte                                                       III. Prayer
(aus „Schmücke dich, o liebe Seele“)                    (from "Adorn yourself, oh dear soul")
Friedrich Gottlieb Klopstock (1724–1803)               Friedrich Gottlieb Klopstock (1724–1803)
 
O, dass uns're Seele würde                                      Oh, that our soul would become
Frei vom Druck der Erdenbürde!                            Free from the pressure of the earthly burden!
Frei von Sünde unser Wille,                                    Free of sin our will,
Unser Herz voll Sonntagsstille!                               Our heart full of Sunday calm!
Dass von fern aus deinen Höhen                             That from afar off your heights
Wir des Lichtes Aufgang sähen,                              We see the light rising,
Das die Sel’gen dort verkläret,                               That the Blessed transfigure there,
Wo der Sonntag ewig währet.                                 Where Sunday lasts forever.
 
IV. Abschied vom Leben                              IV. Farewell to life
Theodor Körner (1791–1813)                                   Theodor Körner (1791–1813)
 
„Als ich in der Nacht vom 17. zum 18. Juni 1813    "When on the night of the 17th to the 18th of June, 1813,
schwer verwundet und hilflos in einem Holze lag    I was severely wounded and helpless in a wood and
und zu sterben meinte:“                                        said to die:"
 
Die Wunde brennt, – die bleichen Lippen beben. –  The wound burns, – the pale lips quiver. –
Ich fühl's an meines Herzens matter'm Schlage,         I feel it in the weaker beating of my heart,
Hier steh ich an den Marken meiner Tage. –              Here I stand at the marks of my day. –
Gott, wie du willst, dir hab' ich mich ergeben. –      God, as you wish, I surrendered to you. –
 
Viel gold'ne Bilder sah ich um mich schweben,         I saw many golden images floating around me
Das schöne Traumlied wird zur Todtenklage! –         The beautiful dream song becomes a threnody! –
Mut! Mut! – Was ich so treu im Herzen trage,          Courage! Courage! – What I carry so faithfully in my heart,
Das muß ja doch dort ewig mit mir leben! –              That must live there forever with me! –
 
Und was ich hier als Heiligtum erkannte,               And what I recognized here as a sanctuary,
Wofür ich rasch und jugendlich entbrannte,           Wherefore I burned quickly and youthfully,
Ob ich's nun Freiheit, ob ich's Liebe nannte,           Whether I call it freedom, whether I called it love,
 
Als lichten Seraph seh ich's vor mir stehen, –            As a shining Seraph, I see it standing before me, –
Und wie die Sinne langsam mir vergehen,              And as the senses slowly pass me by,
Trägt mich ein Hauch zu morgenroten Höhen.        A touch carries me to morning-red heights.
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Piano

Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella

Product no.: 31320
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3.00 €
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Delivery weight: 44 g


The composition Bittgebet (Supplication) op. 91 for male choir based on words by Friedrich Holzapfel was written in 1936.

   
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Gebhard, Hans: Proprium for a holy festival for mixed choir and wind ensemble

Product no.: 31314b
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36.38 €
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Delivery weight: 1,881 g


The "Proprium for a saint festival" for four-part choir and obligatory organ was composed by Hans Gebhard in 1998. Proprium is the term used to describe the parts of Mass that change from one festival to another (in contrast to the Ordinarium, the texts that are always consistent, such as Kyrie, Gloria, etc.).

The motet received the 2nd prize in the composition competition of the Archdiocese of Paderborn (Germany) in 1998.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir, Organ

Cornelius, Peter: "The German vow" op. 12.3 for male choir a cappella

Product no.: 31351
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9.63 €
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Delivery weight: 33 g


Peter Cornelius set his poem Der deutsche Schwur (The German Vow) for Male Choir to music in 1873 one year before his death.

   
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Mozart, Wolfgang Amadeus: Ave verum corpus KV 618 for choir and string orchestra

Product no.: 31368
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57.78 €
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Delivery weight: 99 g


The most famous setting of the medieval hymn Ave verum corpus by Mozart in the form of a motet for mixed choir, strings and basso continuo.

Browse these categories as well: Sheet music, Choir, Sacred music, Vocals, Church music, Orchestra, Organ, Strings, Motet

Albes, Karl-Friedrich: Three legends without words in styles of yesterday and today for piano/organ

Product no.: 31380
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12.84 €
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Delivery weight: 33 g


The Drei Legenden ohne Worte (Three Legends Without Words) were conceived for practical reasons as a double function for piano and small organ (two manuals, without pedal). Stylistically they are very different and tasteful. Jazz influences can be found in No.3.

Browse these categories as well: Sheet music, Piano, Organ
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Bodendorff, Werner: "Im Hamsterrad" op. 1b for organ

Product no.: 31443
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Delivery weight: 94 g


A musical-philosophical poem

This piece of music is about the psy-chogram of a modern person who is affect-ed by the feeling of always experiencing the eternal return of the same thing in a hamster wheel. Despite narrowness and repetition, it also has its good points: relia-bility and predictability, safety and happy moments, but also the strength to stay  in the hamster wheel . In return you receive reward for possession and power. Musical-ly, this is expressed with irregularly ac-cented but energetic eighth notes as a drive. The four-bar periodic appears symmetrical, but is broken asymmetrically in its 3-1 con-stellation, which later changes into a three-bar periodic.
But people always want more and thus feel a convergence of a developing becoming and being. However, the tasks of life – pre-sented in the form of additional and con-stantly changing topic and rhythm com-plexes – result in an overload. This causes stress, which increases to the point of col-lapse. The hamster wheel becomes unbal-anced, an impending heart attack is ignored, and it quickly bursts. The result: chaos, floating between life and death, extreme pain. Soon, however, recovery slowly sets in and with it hope for new harmony. A subsequent chorale and prayer express grat-itude. A  Zwiefacher1 shows, not without irony, the futile and ultimately pointless attempt to achieve a new simplicity. Inevi-tably it goes back to the apparently mean-ingful element of life, the hamster wheel, which now spins even faster and seals fate.

* a southern German folk dance with a quick tempo and changing beat pattern

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