The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also versions for symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also versions for symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Agnus Dei” for seven-part mixed choir op. 40 by Kaiser-Lindemann is formatwise similar to the “Tre pezzi sacri“ op. 31. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for

1. Organ op. 41
2. Orchestra op. 41a

(see also version for organ / symphony orchestra)

The “Agnus Dei” for seven-part mixed choir op. 40 by Kaiser-Lindemann is formatwise similar to the “Tre pezzi sacri“ op. 31. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for

1. Organ op. 41
2. Orchestra op. 41a

1. Organ (manual and pedal)
2. Organ (manual) / Piano

Wilhelm Mohr's Psalm 24 "Machet die Tore weit" (Lift up your heads, O ye gates) op. 3 for mixed choir, large orchestra and organ with children's choir ad lib. is a powerful music in the late romantic tradition. Its grandly structured line leads finally in the well known Advent carol "Macht hoch die Tür" (Open the Door High), to sing optionally by a children's choir but even accompanied by the congregation.

Easter Hymn "Christ ist erstanden" (Christ has arisen) in tango-like adaption [2' 55"]
Concerto in Manier der Wiener Klassik (in style of the Viennese Classical school) [3' 55"]
Canzonetta [3' 50"]
Capriccio nach spanischem Gestus (in Spanish style) [2' 35"]
Chanson française [2' 20"]
Entrée [1' 45"]
Canticum [2' 45"]
Swing Bells [2' 20"]
Sortie [5']
Marche d’Église [2' 35"]
Concerto G major [3' 15"]
Intermezzo [3' 35"]
Reminiscences [4' 35"]
Concerto F major [3']
Initiale [4' 25"]
Aria [2'30"]
Miniature [2' 20"]
Invention 1']