4 Negro Spirituals arranged for brass:

1. Deep River [2' 45"]
2. Let my People go! [3' 15"]
3. Nobody knows … [1' 45"]
4. Sometimes I feel [4']

Two Canzoni from Gabrieli's "Quattro Canzoni per sonar a quattro" in an orchestration for double chorus brass ensemble.

Content:
Canzon prima “La Spiritata“ [3' 20"]
Canzon terza [2' 40"]

The concert miniature "Tears on the Snow" with subtitle «Chanel Nº 6» here in the version for flugelhorn solo and piano accompaniment..The soloi nstrument may be replaced by corno or e.g. violin

The orchestrated version was performed first on February 1979 on the occation of the Theater Ball in the Kieler Schloss along with the piece "Love song in Autumn". Both compositions are published by euthentic edition under the title "Lost Seasons" (ISMN 979-0-502-31117-9).
 

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see version for organ / symphony orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also version for organ / symphony orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

Two concert miniatures for flugelhorn solo and orchestra.

1. Love Song in Autumn [ca. 3' 50"]
2. Tears on the Snow «Chanel Nº 6» [ca. 2' 50"]

Both pieces were performed first on February 1979 on the occation of the Theater Ball in the Kieler Schloss.
The soloi instrument may be replaced by corno or e.g. violin.

Two concert miniatures originally for flugelhorn solo and orchestra by Wilhelm Kaiser-Lindemann arranged for flugelhorn and symphonic string orchestra with Harp ad lib. by Johannes Bublitz.

1. Love Song in Autumn [ca. 3' 50"]
2. Tears on the Snow «Chanel Nº 6» [ca. 2' 50"]

Two concert miniatures originally for flugelhorn solo and orchestra arranged for flugelhorn and string chamber orchestra with Harp ad lib.

1. Love Song in Autumn [ca. 3' 50"]
2. Tears on the Snow «Chanel Nº 6» [ca. 2' 50"]

Two sacred compositions op. 3 for double chorus brass ensemble and percussion by Wilhelm Kaiser-Lindemann, composed in 1973 and 1974.

1. Osterfanfare über „Christ ist erstanden“ (Easter fanfare) op. 3a [3' 30"]
2. „Veni Creator Spiritus“ (Music for Pentecost) op. 3b [6' 20"]