4 Negro Spirituals arranged for brass:

1. Deep River [2' 45"]
2. Let my People go! [3' 15"]
3. Nobody knows … [1' 45"]
4. Sometimes I feel [4']

Two Canzoni from Gabrieli's "Quattro Canzoni per sonar a quattro" in an orchestration for double chorus brass ensemble.

Content:
Canzon prima “La Spiritata“ [3' 20"]
Canzon terza [2' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The movements:

1. Intrada [6']
2. Marcia funebre [12' 25"]
3. Scherzo - Pentámetron - Trio [9' 45"]
4. Finale - Passacaglia [6']

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for amateur choir. Considering that it was consitently held in traditional tonality. In the present version for mixed choir soprano part and alto part may be substituted by boy’s voices. The middle movement of the alternative setting for male choir however requires obligato boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see version for organ / symphony orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also version for organ / symphony orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

Two sacred compositions op. 3 for double chorus brass ensemble and percussion by Wilhelm Kaiser-Lindemann, composed in 1973 and 1974.

1. Osterfanfare über „Christ ist erstanden“ (Easter fanfare) op. 3a [3' 30"]
2. „Veni Creator Spiritus“ (Music for Pentecost) op. 3b [6' 20"]

The 1st symphony op. 3 "Vom Ende der Tage" (About the End of Time) deals with the apocalyptic visions of John. Kaiser-Lindemann lets speak a symphonic brass orchestra that conjures up the "Day of the last trombone" together with the organ and large percussion.

The march op. 49 for brass band or military band composed in 1940 was awarded posthumously on the occasion of a compositional competition with the 1st prize.