Piano version of "Dithyrambe", a hymn for solo bass, male choir and orchestra after the eponymous poem by Friedrich von Schiller.

(See also the orchestral version)

"Dithyrambe", a hymn for solo bass, large male choir and orchestra after the eponymous poem by Friedrich von Schiller.

(See also the piano version)

This anthem to the Westphalia place after a poem by Franz Sinemus was written in 1934.

Version for voice and piano:

• Sheet music
• Recording

The Song of the miners after words by F. Fahnemann was created in 1935.

The suite for clarinet and piano was built in 1965.

Die Sätze:

1. Valse [2' 40"]

2. Ragtime [2' 30"]

3. Blues [2' 35"]

4. Affettuoso [1']

5. Latin-American [2' 10"]

This sacred a cappella composition for boys choir and mixed choir on the words of the 150th psalm is conceived with its up to 12-tone for a large cast. The work was composed in 1934.

The song "Auf ein Grabstein" (On a Gravestone) for male choir based on words by Ludwig Uhland was written in 1925.

The Hymn of Praise op. 26 for boys' choir, male choir and organ based on words by Emanuel Geibel (1815-1884) was written in 1925. By integrating the ending sequence from the German national anthem into the final bars, the composer builds a bridge from the spiritual side to the secular present of time in the hope of a peaceful future through a unification of both aspects.

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see also versions for symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]

The “Tre pezzi sacri“ (three sacred pieces) were originally composed as a commissioned work for mixed amateur choir. Considering that it was consitently held in traditional tonality. In the present version for male choir soprano part and alto part have to be performed by boy’s voices.

The “Tre pezzi sacri“ are formatwise similar to the “Agnus Dei” for seven-part mixed choir op. 40. Both compositions therefor work well for a combined performance with their mixed choir formation.

Alternative instrumental settings are published for Organ op. 31, for Symphony Orchestra op. 31a and for Symphonic Brass Orchestra op. 31b (see versions for organ / symphony orchestra / brass orchestra).

The movement names:

1. Jesu nostra Redemptio [ca. 12']
2. Ave Maria [ca. 8' 20"]
3. Aeterne Rex, altissime! [ca. 10' 40"]