The movements:

1. O wirke, Liebe, fort! (O Love, just continue!) [3' 10"]
2. Wochenstube im Kriege (Maternity Room in War) [1' 55"]
3. Gang durch den Garten (Walking through the Garden)  [2' 55"]

• Lyrics
• Recording (Download)

The song titles:

1. O wirke, Liebe, fort! (O Love, just continue!) [3' 10"]
2. Wochenstube im Kriege (Maternity Room in War) [1' 55"]
3. Gang durch den Garten (Walking through the Garden) [2' 55"]

• Lyrics
• Recording (Download)

The song titles:

  I. Morgens (In the morning) [1' 55"]
 II. Am Abend (In the evening) [3' 45"]
III. Lobgesang (Hymn of praise) [4']

Los títulos de las canciones:

  I. Morgens (Por la mañana) [1' 55"]
 II. Am Abend (Por la tarde) [3' 45"]
III. Lobgesang (Canto de alabanza) [4']

Piano version of "Dithyrambe", a hymn for solo bass, male choir and orchestra after the eponymous poem by Friedrich von Schiller.

(See also the orchestral version)

Around 1700, in the course of a cultural exchange from Italy to France, composers began to unite the "Italian style" with the "French gout". The resulting French cantatas and ariettes impress with these style mixtures, on which ancient love stories sound expressively in a wide spectrum of emotions. Today, the versatile pieces have largely been forgotten. Here is an Ariette by Brunet de Moland.

Around 1700, the cantata genre reached Italy during a cultural exchange. Composers began to combine the "Italian style" with the "French gout". The resulting French cantatas are characterized by these style mixtures, on which ancient love stories sound expressively in a wide spectrum of emotions. Today, the versatile pieces have largely been forgotten. Here is a selection from the cantatas by Jean-Baptiste Morin.

Content:

1. Troisième Cantate «La Rose» [12' 45"]
2. Cinquième Cantate «Bacchus» [24' 10"]

Around 1700, the cantata genre reached Italy during a cultural exchange. Composers began to combine the "Italian style" with the "French gout". The resulting French cantatas are characterized by these style mixtures, on which ancient love stories sound expressively in a wide spectrum of emotions. Today, the versatile pieces have largely been forgotten. Here is a selection from the cantatas by Nicolas Bernier.

Content:

1.      Les Forges de Lemnos (The Forge of Lemnos) [17 '40 "]
2.      Jupiter et Europe [27 '45 "]

This first three lieds composed in his early creative period were assembled in 1935 by Wilhelm Mohr in memory of his sister Anita, who sang this songs for the first time.

The song titles:

1. Der Gärtner (The Gardener) [2' 10"]
2. Abendlied (Evensong) [3' 10"]
3. Gewissheit (Certainty) [1' 50"]

• Lyrics
• Recording (Download)

This vocal quatet For Gunhild Mundt, composed in 2011, transcribes the name Gunhild Mundt into a sequence of musical notes, similar to a numerological procedure. The composer gives such pieces the subtitle Namen in Noten (Names in Music).