The "Mambo for six" for 6 Celli was composed 1980 by Kaiser-Lindemann. Besides the Variações Brasileiras op. 7 this is a frequently played piece for cello ensemble with latin flair.

The famous Clair de Lune aus der Suite bergamasque by Claude Debussy as an arrangement for 12 celli by Wilhelm Kaiser-Lindemann.

A congenial meditation for flute / violin composed by the late romantic Wilhelm Mohr on the Moment musical op. 94 No. 4 for piano.

The song titles:
    I. Wie auf treuer Wacht (As on carefull watch) [1' 55"]
   II. Adler (Eagle) [3' 45"]
  III. Frühlingsgruß (Spring greeting) [4']
  IV. Mittagsruh (Midday peace) [4']
   V. Jäger und Jägerin (Hunter and Huntress) [4']
  VI. Zwielicht (Twilight) [4']
 VII. Waldeinsamkeit (Forest solitude) [4']
VIII. Wir ziehen treulich auf die Wacht (We'll go for carefull watch) [4']

Lyrics

Prélude sur une basse obligée pour Magnificat à trois voix by Charpentier arranged for 12 cellists by Johannes Bublitz.

Three Canzoni from Gabrieli's "Quattro Canzoni per sonar a quattro" arranged for 12 Celli by Wilhelm Kaiser-Lindemann.

Content:
“Canzon a 12“ (Version 1) [3' 40"]
“Canzon a 12“ (Version 2) [4' 10"]
Canzon prima “La Spiritata“ [3' 20"]
Canzon terza [2' 40"]

Coral part of Wilhelm Mohr's Psalm 24 "Machet die Tore weit" (Lift up your heads, O ye gates) op. 3 for mixed choir, large orchestra and organ with children's choir ad lib. Original piano score by the composer.

(see also orchestral version)

The Suite op. 28 is a commissioned work of the "Brandenburgischer Musiksommer“. The here presented original version was composed for "The 12 Cellists of the Berlin Philharmonic Orchestra". This work was premiered by the 12 Cellists at the 19th of August 2000 on occasion of the "Brandenburgischer Musiksommer“

Thr later authored version for string orchestra op. 28a was designed for grand symphonic orchestra as well as for chamber orchestra and solo ensemble.

The movements are:

1. "Inori“ (Japanese: prayers) [6' 20"]
2. "Waltz Machine“ [6' 50"]
   Tempo di valse sostenuto
3.  "Anadolu“ (Anatolia) [6' 45"]
4.  "Canto“ [6']
   Andante tranquillo

Easter Hymn "Christ ist erstanden" (Christ has arisen) in tango-like adaption [2' 55"]
Concerto in Manier der Wiener Klassik (in style of the Viennese Classical school) [3' 55"]
Canzonetta [3' 50"]
Capriccio nach spanischem Gestus (in Spanish style) [2' 35"]
Chanson française [2' 20"]
Entrée [1' 45"]
Canticum [2' 45"]
Swing Bells [2' 20"]
Sortie [5']
Marche d’Église [2' 35"]
Concerto G major [3' 15"]
Intermezzo [3' 35"]
Reminiscences [4' 35"]
Concerto F major [3']
Initiale [4' 25"]
Aria [2'30"]
Miniature [2' 20"]
Invention 1']  

This first three lieds composed in his early creative period were assembled in 1935 by Wilhelm Mohr in memory of his sister Anita, who sang this songs for the first time.

The song titles:

1. Der Gärtner (The Gardener) [2' 10"]
2. Abendlied (Evensong) [3' 10"]
3. Gewissheit (Certainty) [1' 50"]

• Lyrics
• Recording (Download)

Part songs for choir a cappella. For seperate editions please select the title.

1. Seaside Thoughts (male choir) [3'10"]
2. Seaside Thoughts (mixed choir) [3'10"]
3. The Last Night of the Year [2'55"]
4. Evening [3'45"]
5. O hush thee, my babie [3']
6. The Rainy Day [1'35"]
7. Parting Gleams [3'35"]
8. Echoes [2'30"]
9. The Long Day Closes (male choir) [3'15"]
10. The Long Day Closes (mixed choir) [3'15"]
11. Wreaths for our Graves [5'45"]
12. Joy to the Victors [2'05"]
13. The Beleaguered (male choir) [2'35"]
14. The Beleaguered (mixed choir) [2'35"]
15. It Came Upon the Midnight Clear [4'05"]
16. Lead, Kindly Light [2'55"]
17. Say, Watchman, What of the Night? [4'25"]
18. The Way is Long and Dreary [4'45"]
19. Fair Daffodils [1'40"]

The song titles:

1. Strampelchen
2. Mitten auf der Wiese
3. Schneeglöckchen
4. Ich war mal in ‘nem Dorfe
5. Bruder Ärgerlich
6. Schwesterchen
7. Die ersten Hosen
8. Aufforderung
9. Lütt Ursel
10. Wiegenlied
11. Der Nimmersatt
12. Koseliedchen
13. Aus dem grünen Walde
14. Hinter dem Müllersteg (Tanzliedchen)
15. Spatz
16. Hemdenmatz
17. Das kranke Kätzchen
18. Das dumme Kätzchen
19. Schneeglöckchen
20. Herbst

Movements:
  I  Moderato [5' 35"]
 II  Andante cantabile [3' 10"]
III  Allegro, in Swing [4' 30"]

Two concert miniatures originally for flugelhorn solo and orchestra by Wilhelm Kaiser-Lindemann arranged for 12 Cellists with Double Bass and Harp ad lib. by Johannes Bublitz.

1. Love Song in Autumn [ca. 3' 50"]
2. Tears on the Snow «Chanel Nº 6» [ca. 2' 50"]