If music be the food of love, sing on, sing on, sing on ... (Shakespeare)
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Product no.: 31276
In 1818 Johann Georg Christian Apel was appointed the first university music director of the Christian-Albrechts-University Kiel. The present song collection is intended as a jubilee edition on the 200th anniversary of his appointment to shed light on his rich compositional work.
CD „Kieler Liedgut um 1800“ Single sheets of the songs for alternative registers here. |
15.00 €
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Delivery weight: 275 g
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Product no.: 31390
This oratorio, completed in February 2022, was premiered on April 14, 2022 at Chiesa del Santissimo Salvatore, Palermo, Sicily. “My oratorio Crucifixus, subtitled De perversione crucis (On the Reinterpretation of the Cross), presents a modern interpretation of Christ's crucifixion: how can it still be said that Jesus died for us? What grace do we have from his martyrdom? Was vom Menschen übrig bleibt This view also reflects the renewed hope that came from my miraculous recovery from symptoms of Parkinson's disease through surgery in 2014." Libretto / Lyrics: Crucifixus est pro nobis! Wieso für uns?
Wieso für uns ans Kreuz geschlagen, Wieso für uns den Schmerz ertragen Wem nützt sein Leid? Was bleibt? (Why for us ... what good comes from his suffering?)
Passus et sepultus, sed pro nobis.
Et iterum venturus est cum gloria
Et resurrexit tertia die secundum scripturas (He suffered and was buried, yet for us. And he has redurned
to life after three days as it is writen in the scriptures.)
Ach, ach, wieso nur er?
Wie konnte er den Tod besiegen? Ein jeder muss dem Tod sich fügen! Was trotzt der Zeit, was bleibt? (Oh, oh, why only him? How could he conquer death?
Everyone must submit to death! What defies time, what remains?) Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden Sein Trost, seine Zusicht Die werden uns bleiben. (What remains of man is not his suffering,
but his consolation and trust in God.)
Et iterum venturus est Was wird aus uns?
Was von uns wird am Ende bleiben, Was von uns bleibt nach Not und Leiden Was trotzt der Zeit, was bleibt? (What will happen to us and what will remain?)
Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht Die werden uns bleiben (... his consolation will remain.)
Note of thanks:
I am forever indebted to the cast of excellent musicians selected by the director of Palermo Classica, Domenico Salerno. Especially to the singers from Teatro Massimo under the guidance of G. Giordano and the orchestra conducted by the fabulous Alessandra Pipitone. I also sincerely thank the presenter Maria Rosa Randazzo for the beautiful introduction and her husband Sandro Crippa for knitting the contacts without which this remarkable concert would never have been possible, incl. Gregorio Caimi who created the magnificent video. Grazie di cuore!
Jürgen Broschart, Juli 2022 |
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4.28 €
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Delivery weight: 33 g
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Product no.: 31427
This oratorio, completed in February 2022, was premiered on April 14, 2022 at Chiesa del Santissimo Salvatore, Palermo, Sicily. “My oratorio Crucifixus, subtitled De perversione crucis (On the Reinterpretation of the Cross), presents a modern interpretation of Christ's crucifixion: how can it still be said that Jesus died for us? What grace do we have from his martyrdom? Was vom Menschen übrig bleibt This view also reflects the renewed hope that came from my miraculous recovery from symptoms of Parkinson's disease through surgery in 2014." Libretto / Lyrics: Crucifixus est pro nobis! Wieso für uns?
Wieso für uns ans Kreuz geschlagen, Wieso für uns den Schmerz ertragen Wem nützt sein Leid? Was bleibt? (Why for us ... what good comes from his suffering?)
Passus et sepultus, sed pro nobis.
Et iterum venturus est cum gloria
Et resurrexit tertia die secundum scripturas (He suffered and was buried, yet for us. And he has redurned
to life after three days as it is writen in the scriptures.)
Ach, ach, wieso nur er?
Wie konnte er den Tod besiegen? Ein jeder muss dem Tod sich fügen! Was trotzt der Zeit, was bleibt? (Oh, oh, why only him? How could he conquer death?
Everyone must submit to death! What defies time, what remains?) Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden Sein Trost, seine Zusicht Die werden uns bleiben. (What remains of man is not his suffering,
but his consolation and trust in God.)
Et iterum venturus est Was wird aus uns?
Was von uns wird am Ende bleiben, Was von uns bleibt nach Not und Leiden Was trotzt der Zeit, was bleibt? (What will happen to us and what will remain?)
Was vom Menschen übrig bleibt
Ist nicht sein Schrei'n und Leiden
Sein Trost, seine Zusicht Die werden uns bleiben (... his consolation will remain.)
Note of thanks:
I am forever indebted to the cast of excellent musicians selected by the director of Palermo Classica, Domenico Salerno. Especially to the singers from Teatro Massimo under the guidance of G. Giordano and the orchestra conducted by the fabulous Alessandra Pipitone. I also sincerely thank the presenter Maria Rosa Randazzo for the beautiful introduction and her husband Sandro Crippa for knitting the contacts without which this remarkable concert would never have been possible, incl. Gregorio Caimi who created the magnificent video. Grazie di cuore!
Jürgen Broschart, Juli 2022 |
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Product no.: 31301
Two songs for lute and song after poems by Otto Julius Bierbaum (1865-1910) from the Humoresque "Die Schlangendame" and Felix Dahn (1834-1912) from the ballad "Tannhäuser":
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8.56 €
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Delivery weight: 22 g
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Product no.: 31406
This chanson Morgenkind (Morning Child) from 2012 was released in 2015 on the CD Eigenlieder - Blau auf Grau. |
7.49 €
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Delivery weight: 33 g
Release soon. |
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