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Product no.: 31317

The composition Auf dem Felde der Ehre (In the Field of Honor ) op. 73.2 for male choir with piano or organ accompaniment was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

The movements:

  1. An den Tod (To Death) [3' 10"]
  2. Ritornel [2' 10"]
  3. Bitte (Prayer) [1' 05"]
  4. Abschied vom Leben (Farewell to life) [3' 30"]

Lyrics:

An den Tod                                                  To Death
Gerrit Engelke (1890–1918)                                    Gerrit Engelke (1890–1918)
 
Mich aber schone, Tod,                                      But spare me, death,
Mir dampft noch Jugend blutstromrot –                   Youth is still steaming me blood red
Noch hab ich nicht mein Werk erfüllt,                    I have not fulfilled my work yet,
Noch ist die Zukunft dunstverhüllt –                        The future is still covered with haze
Drum schone mich, Tod!                                       So spare me, death!
 
Wenn später einst, Tod,                                        When later, once, death,
Mein Leben verlebt ist, verloht                              My life is spent, burned up
Ins Werk wenn das müde Herz sich neigt,            Into the work when the tired heart declines,
Wenn die Welt mir schweigt –                                   When the world falls silent to me
Dann trage mich fort, Tod!                                   Then carry me away, death!
 
III. Bitte                                                       III. Prayer
(aus „Schmücke dich, o liebe Seele“)                    (from "Adorn yourself, oh dear soul")
Friedrich Gottlieb Klopstock (1724–1803)               Friedrich Gottlieb Klopstock (1724–1803)
 
O, dass uns're Seele würde                                      Oh, that our soul would become
Frei vom Druck der Erdenbürde!                            Free from the pressure of the earthly burden!
Frei von Sünde unser Wille,                                    Free of sin our will,
Unser Herz voll Sonntagsstille!                               Our heart full of Sunday calm!
Dass von fern aus deinen Höhen                             That from afar off your heights
Wir des Lichtes Aufgang sähen,                              We see the light rising,
Das die Sel’gen dort verkläret,                               That the Blessed transfigure there,
Wo der Sonntag ewig währet.                                 Where Sunday lasts forever.
 
IV. Abschied vom Leben                              IV. Farewell to life
Theodor Körner (1791–1813)                                   Theodor Körner (1791–1813)
 
„Als ich in der Nacht vom 17. zum 18. Juni 1813    "When on the night of the 17th to the 18th of June, 1813,
schwer verwundet und hilflos in einem Holze lag    I was severely wounded and helpless in a wood and
und zu sterben meinte:“                                        said to die:"
 
Die Wunde brennt, die bleichen Lippen beben.   The wound burns, the pale lips quiver.
Ich fühl's an meines Herzens matter'm Schlage,         I feel it in the weaker beating of my heart,
Hier steh ich an den Marken meiner Tage. –              Here I stand at the marks of my day.
Gott, wie du willst, dir hab' ich mich ergeben. –      God, as you wish, I surrendered to you.
 
Viel gold'ne Bilder sah ich um mich schweben,         I saw many golden images floating around me
Das schöne Traumlied wird zur Todtenklage! –         The beautiful dream song becomes a threnody!
Mut! Mut! Was ich so treu im Herzen trage,          Courage! Courage! – What I carry so faithfully in my heart,
Das muß ja doch dort ewig mit mir leben! –              That must live there forever with me!
 
Und was ich hier als Heiligtum erkannte,               And what I recognized here as a sanctuary,
Wofür ich rasch und jugendlich entbrannte,           Wherefore I burned quickly and youthfully,
Ob ich's nun Freiheit, ob ich's Liebe nannte,           Whether I call it freedom, whether I called it love,
 
Als lichten Seraph seh ich's vor mir stehen, –            As a shining Seraph, I see it standing before me,
Und wie die Sinne langsam mir vergehen,              And as the senses slowly pass me by,
Trägt mich ein Hauch zu morgenroten Höhen.        A touch carries me to morning-red heights.
12.84 *
Delivery weight: 44 g

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Product no.: 31361

The late romantic piano quintet by the German composer Wilhelm Mohr was composed in 1950. The work is also published here in an earlier sextet version for wind instruments and piano.

48.15 *
Delivery weight: 237 g

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Product no.: 31258

The lyrical song "Abendfriede" (evening peace) after a poem by Heinrich Anacker was composed in 1935. Here it is offered for vocal part, flute, cello and piano.

Recording

23.54 *
Delivery weight: 39 g

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Product no.: 31405

This instrumental piece Jazzy Birthday, Karin, composed in 2011, transcribes the name Karin into a sequence of musical notes, similar to a numerological procedure. The composer gives such pieces the subtitle Namen in Noten (Names in Music).

6.42 *
Delivery weight: 22 g

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Product no.: 31197

Allegro from the piano quintet op. 1 by Wilhelm Mohr as an own arrangement for piano four hands.

35.31 *
Delivery weight: 230 g

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Product no.: 31302

Fynn Jannis Großmann, born in 1992, is active as a saxophone, oboe and double bass player in classical orchestras, jazz bands and cross-over projects. As a member of such ensembles or as a solo artist, he has been awarded numerous prizes (including the Culture Prize of the State of Schleswig-Holstein, Jazz Prize of the Kulturforum Kiel, Jugend Jazzt). His own band project, the Fynn Großmann Quintet, has been awarded several prizes (Young Munich Jazz Prize 2017, Jazz Prize Hannover 2017).

In addition, Fynn Großmann also acts as a composer and arranger. He has written this piece for the jazz big band TonBand, which he has directed since its founding in 2016.

CD „Hamsterrad“ by the Bigband TonBand

from 26.18 *
Delivery weight: 583 g

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Product no.: 31285

The famous chanson "La vie en rose" by Édith Piaf composed by Marcel Louiguy is here presented as an arrangement for 12 Cellists by Wilhem Kaiser-Lindemann.

77.04 *
Delivery weight: 467 g

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Product no.: 31407

This vocal quatet For Gunhild Mundt, composed in 2011, transcribes the name Gunhild Mundt into a sequence of musical notes, similar to a numerological procedure. The composer gives such pieces the subtitle Namen in Noten (Names in Music).

8.56 *
Delivery weight: 33 g

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Product no.: 31198

Allegro from the piano quintet op. 1 by Wilhelm Mohr as an own arrangement for piano four hands.

18.19 *
Delivery weight: 143 g

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Product no.: 31386

This chanson Sei ein Teil von mir (Be a part of me) from 2014 was released in 2015 on the CD Eigenlieder - Blau auf Grau. Here is an adaptation of the chanson in bossa nova style.

“Originally Sei ein Teil von mir is a spiritual song in the tradition of Buxtehude's Membra Jesu nostri. But in this bossa nova version, heaven comes to the earth of two lovers.”
(The composer)

"Membra Jesu nostri", interpreted in a modern way.

Lyrics:
Sei das Herz in mir, wenn ich nichts fühl,
Sei mein Ohr, wenn ich nichts hör,
Sei im Geist bei mir, wenn ich verlier
Allen Trost und Mut in mir.
Sei mein Fuß, auf dem ich steh und geh,
Sei das Ziel von mir in dir,
Sei mein Sinn, dass ich dich fühl und spür,
Sei die Hand, mit der ich dich berühr,
Sei ein Teil von mir, dass ich fühl, dass ich fühle,
Sei ein Teil, dass ich dich spür.
Sei ein Teil von mir,
Sei Teil in mir,
Ein Teil von mir in dir.
Sei ein Teil von mir,
Sei ein Teil von mir in dir.
Du bist du, und ich bin ich,
Und das ist gut so, denn sonst gäb’s mich nicht.
Und ich hab auch keine Lust, stets zu parier’n.
Aber bitte komm und reparier,
Wenn ich mich grad ganz verlier.
Be the heart in me when I feel nothing,
Be my ear when I hear nothing,
Be with me in spirit when I lose
All comfort and courage in me.
Be my foot on which I stand and walk,
Be the goal of me in you,
Be my sense that I feel and sense you,
Be the hand I touch you with,
Be a part of me that I feel that I feel,
 
Be a part that I feel you.
Be a part of me,
Be part of me,
A part of me in you.
Be a part of me,
Be a part of me in you.
You are you and I am me
And that's a good thing, because otherwise I wouldn't exist.
And I don't feel like always parrying.
 
But please come and fix it,
When I lose myself completely.
19.26 *
Delivery weight: 33 g

In stock
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Product no.: 31351

Peter Cornelius set his poem Der deutsche Schwur (The German Vow) for Male Choir to music in 1873 one year before his death.

   
9.63 *
Delivery weight: 33 g

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Product no.: 31276

In 1818 Johann Georg Christian Apel was appointed the first university music director of the Christian-Albrechts-University Kiel. The present song collection is intended as a jubilee edition on the 200th anniversary of his appointment to shed light on his rich compositional work.

This first critical edition contains extensive explanations of the person Apel as well as the individual songs. Are included

  • the songs with piano accompaniment op. 4
  • a selection of songs with guitar accompaniment
  • the songs in the almanac "Eidora"
  • 6 two-part songs
  • 3 male choirs and 3 chorales for mixed choir

CD „Kieler Liedgut um 1800“

Single sheets of the songs for alternative registers here.

15.00 *
Delivery weight: 275 g

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Product no.: 31408

This vocal quartet For Birgit Frank, composed in 2011, transcribes the name Birgit Frank into a sequence of musical notes, similar to a numerological procedure. The composer gives such pieces the subtitle Namen in Noten (Names in Music).

6.42 *
Delivery weight: 22 g

In stock
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Product no.: 31279

The Song of the miners after words by F. Fahnemann was created in 1935.

2.68 *
Delivery weight: 231 g

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Product no.: 31228

The choral prelude "Herzlich thut mich verlangen“ (My inmost heart doth yearn) op. 122 No 10 for organ by Johannes Brahms arranged for 12 cellists by Johannes Bublitz.

55.64 *
Delivery weight: 105 g

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Product no.: 31260

This anthem to the Westphalia place after a poem by Franz Sinemus was written in 1934.

9.63 *
Delivery weight: 22 g

In stock
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Product no.: 31345

The famous Flight of the bumblebee from the opera Tsar Saltan by Nikolai Rimski-Korsakow in an arrangement as double quartet for saxophones by Wilhelm Kaiser-Lindemann.

38.52 *
Delivery weight: 121 g

In stock
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Product no.: 31281

The suite for clarinet and piano was built in 1965.

Die Sätze:

  1. Valse [2' 40"]

  2. Ragtime [2' 30"]

  3. Blues [2' 35"]

  4. Affettuoso [1']

  5. Latin-American [2' 10"]

20.33 *
Delivery weight: 231 g

In stock
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Product no.: 31304

Fynn Jannis Großmann, born in 1992, is active as a saxophone, oboe and double bass player in classical orchestras, jazz bands and cross-over projects. As a member of such ensembles or as a solo artist, he has been awarded numerous prizes (including the Culture Prize of the State of Schleswig-Holstein, Jazz Prize of the Kulturforum Kiel, Jugend Jazzt). His own band project, the Fynn Großmann Quintet, has been awarded several prizes (Young Munich Jazz Prize 2017, Jazz Prize Hannover 2017).

In addition, Fynn Großmann also acts as a composer and arranger. He has written this piece for the jazz big band TonBand, which he has directed since its founding in 2016.

CD „Hamsterrad“ by the Bigband TonBand

from 22.61 *
Delivery weight: 528 g

In stock
can be shipped within 3-5 days

Product no.: 31314b

The "Proprium for a saint festival" for four-part choir and obligatory organ was composed by Hans Gebhard in 1998. Proprium is the term used to describe the parts of Mass that change from one festival to another (in contrast to the Ordinarium, the texts that are always consistent, such as Kyrie, Gloria, etc.).

The motet received the 2nd prize in the composition competition of the Archdiocese of Paderborn (Germany) in 1998.

36.38 *
Delivery weight: 1,881 g

In stock
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Product no.: 31328

The famous Irish blessings are presented here as an arrangement by Ralf Lentschat for a 10 brass emsemble.

53.50 *
Delivery weight: 121 g

In stock
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Product no.: 31344

Prelude and Fugue in G minor BWV 861 from Well-Tempered Clavier No. I here in a transcription for saxophone quartet by Wilhelm Kaiser-Lindemann.

23.54 *
Delivery weight: 61 g

In stock
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Product no.: 31229b

The choral prelude "Herzlich thut mich verlangen“ (My inmost heart doth yearn) op. 122 No 10 for organ by Johannes Brahms arranged for String orchestra and Cello solo by Johannes Bublitz.

81.32 *
Delivery weight: 341 g

In stock
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Product no.: 31359
A late romantic serenade by the German composer Wilhelm Mohr for string quartet and piano.
39.59 *
Delivery weight: 154 g

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Product no.: 31368

The most famous setting of the medieval hymn Ave verum corpus by Mozart in the form of a motet for mixed choir, strings and basso continuo.

57.78 *
Delivery weight: 99 g

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Product no.: 31288

The song "Auf ein Grabstein" (On a Gravestone) for male choir based on words by Ludwig Uhland was written in 1925.

2.57 *
Delivery weight: 242 g

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Product no.: 31301

Two songs for lute and song after poems by Otto Julius Bierbaum (1865-1910) from the Humoresque "Die Schlangendame" and Felix Dahn (1834-1912) from the ballad "Tannhäuser":

  1. Komme doch! (O, Come!) [2 '10 "]
  2. Verborgen tief in meiner Brust (Hidden deep in my chest) [2 '20 "]
8.56 *
Delivery weight: 22 g

In stock
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Product no.: 31298

The composition "Lied des Einsiedels" (Song of the hermit) after the eponymous poem by Stefan Zweig was created in 1933 in Münster. The work shows the composer's first steps in the dissolution of a late Romantic harmony in favor of programmatic atonality.

31.03 *
Delivery weight: 66 g

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Product no.: 31121

The movements:

  1. Intrada [6']
  2. Marcia funebre [12' 25"]
  3. Scherzo - Pentámetron - Trio [9' 45"]
  4. Finale - Passacaglia [6']

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Product no.: 31479

The song cycle "Abendliche Welt und feierliche Nacht" (Evening world and solemn night) op. 70 for male choir, soloists and chamber orchestra was written in 1937/38 in Wanne/Essen.

The titles:

  1. Vorspiel (Prelude)
  2. Der Abend (The evening)
  3. Lied des Türmers (Tower Keeper's Song)
  4. O, dass meine Seele würde (O that my soul would)
  5. Feierliche Nacht (Solemn night)
  6. Ritornell (Ritornello)
  7. Über allen Gipfeln (Above all the mountain peaks)
  8. Vorspiel (Prelude)
  9. Abendgebet (Evening prayer)
  10. Lasst uns benedein (Let's beneed)
14.98 *
Delivery weight: 77 g

In stock
can be shipped within 3-5 days

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