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Kranzhoff, Ferdinand Wilhelm: Psalm 150 op. 15 for boys' choir and mixed choir

Product no.: 31280

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11.77 €

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Delivery weight: 77 g

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This sacred a cappella composition for boys choir and mixed choir on the words of the 150th psalm is conceived with its up to 12-tone for a large cast. The work was composed in 1934.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Knabenchor, Sacred music

Kranzhoff, Ferdinand Wilhelm: On a gravestone op. 4 for male choir

Product no.: 31288

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2.57 €

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Delivery weight: 242 g

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The song "Auf ein Grabstein" (On a Gravestone) for male choir based on words by Ludwig Uhland was written in 1925.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir

Kranzhoff, Ferdinand Wilhelm: There were three holy women op. 2 for mixed choir

Product no.: 31289

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The sacred song "Three holy women went" was composed in 1926 by Kranzhoff in the form of a canon on a pre-Reformation text.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, a cappella, mixed choir, Canon

Kranzhoff, Ferdinand Wilhelm: Hymn of Praise op. 26 for boys' choir, male choir and organ

Product no.: 31290

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9.63 €

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Delivery weight: 44 g

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The Hymn of Praise op. 26 for boys' choir, male choir and organ based on words by Emanuel Geibel (1815-1884) was written in 1925. By integrating the ending sequence from the German national anthem into the final bars, the composer builds a bridge from the spiritual side to the secular present of time in the hope of a peaceful future through a unification of both aspects.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Maury, Arnold: Agitato for clarinet and piano

Product no.: 31282

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14.98 €

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Delivery weight: 231 g

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The Agitato for clarinet and piano was built in 1965.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir

Kranzhoff, Ferdinand Wilhelm: Cantate carmen carminum op. 6 – Consecration song for male choir

Product no.: 31295

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2.57 €

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Delivery weight: 242 g

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The "Weihelied" (consecration song) was composed by Kranzhoff for male choir a cappella in 1933. The choral piece is based on words by Matthias Claudius (1740-1815) and on a melody by Albert Methfessel (1785-1869).

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir

Kranzhoff, Ferdinand Wilhelm: The Postillon op. 10 for mixed choir a cappella

Product no.: 31306

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2.73 €

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Delivery weight: 242 g

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The Westphalian folk song "The Postillion" composed by Kranzhoff as a choral piece a cappella.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir

Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

Product no.: 31316

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3.10 €

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Delivery weight: 44 g

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The composition "An den Tod" (To the death) op. 73.1 for boys' choir and male choir based on words by Gerrit Engelke (1890-1918) was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

Lyrics:

An den Tod To death

Gerrit Engelke (1890–1918) Gerrit Engelke (1890–1918)

Mich aber schone, Tod, But spare me, death,

Mir dampft noch Jugend blutstromrot – Youth is still steaming me blood red –

Noch hab ich nicht mein Werk erfüllt, I have not fulfilled my work yet,

Noch ist die Zukunft dunstverhüllt – The future is still covered with haze –

Drum schone mich, Tod! So spare me, death!

Wenn später einst, Tod, When later, once, death,

Mein Leben verlebt ist, verloht My life is spent, burned up

Ins Werk – wenn das müde Herz sich neigt, Into the work – when the tired heart declines,

Wenn die Welt mir schweigt – When the world falls silent to me –

Dann trage mich fort, Tod! Then carry me away, death!

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

Product no.: 31317

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12.84 €

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Delivery weight: 44 g

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The composition Auf dem Felde der Ehre (In the Field of Honor ) op. 73.2 for male choir with piano or organ accompaniment was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

The movements:

An den Tod (To Death) [3' 10"]
Ritornel [2' 10"]
Bitte (Prayer) [1' 05"]
Abschied vom Leben (Farewell to life) [3' 30"]

Lyrics:

An den Tod To Death

Gerrit Engelke (1890–1918) Gerrit Engelke (1890–1918)

Mich aber schone, Tod, But spare me, death,

Mir dampft noch Jugend blutstromrot – Youth is still steaming me blood red –

Noch hab ich nicht mein Werk erfüllt, I have not fulfilled my work yet,

Noch ist die Zukunft dunstverhüllt – The future is still covered with haze –

Drum schone mich, Tod! So spare me, death!

Wenn später einst, Tod, When later, once, death,

Mein Leben verlebt ist, verloht My life is spent, burned up

Ins Werk – wenn das müde Herz sich neigt, Into the work – when the tired heart declines,

Wenn die Welt mir schweigt – When the world falls silent to me –

Dann trage mich fort, Tod! Then carry me away, death!

III. Bitte III. Prayer

(aus „Schmücke dich, o liebe Seele“) (from "Adorn yourself, oh dear soul")

Friedrich Gottlieb Klopstock (1724–1803) Friedrich Gottlieb Klopstock (1724–1803)

O, dass uns're Seele würde Oh, that our soul would become

Frei vom Druck der Erdenbürde! Free from the pressure of the earthly burden!

Frei von Sünde unser Wille, Free of sin our will,

Unser Herz voll Sonntagsstille! Our heart full of Sunday calm!

Dass von fern aus deinen Höhen That from afar off your heights

Wir des Lichtes Aufgang sähen, We see the light rising,

Das die Sel’gen dort verkläret, That the Blessed transfigure there,

Wo der Sonntag ewig währet. Where Sunday lasts forever.

IV. Abschied vom Leben IV. Farewell to life

Theodor Körner (1791–1813) Theodor Körner (1791–1813)

„Als ich in der Nacht vom 17. zum 18. Juni 1813 "When on the night of the 17th to the 18th of June, 1813,

schwer verwundet und hilflos in einem Holze lag I was severely wounded and helpless in a wood and

und zu sterben meinte:“ said to die:"

Die Wunde brennt, – die bleichen Lippen beben. – The wound burns, – the pale lips quiver. –

Ich fühl's an meines Herzens matter'm Schlage, I feel it in the weaker beating of my heart,

Hier steh ich an den Marken meiner Tage. – Here I stand at the marks of my day. –

Gott, wie du willst, dir hab' ich mich ergeben. – God, as you wish, I surrendered to you. –

Viel gold'ne Bilder sah ich um mich schweben, I saw many golden images floating around me

Das schöne Traumlied wird zur Todtenklage! – The beautiful dream song becomes a threnody! –

Mut! Mut! – Was ich so treu im Herzen trage, Courage! Courage! – What I carry so faithfully in my heart,

Das muß ja doch dort ewig mit mir leben! – That must live there forever with me! –

Und was ich hier als Heiligtum erkannte, And what I recognized here as a sanctuary,

Wofür ich rasch und jugendlich entbrannte, Wherefore I burned quickly and youthfully,

Ob ich's nun Freiheit, ob ich's Liebe nannte, Whether I call it freedom, whether I called it love,

Als lichten Seraph seh ich's vor mir stehen, – As a shining Seraph, I see it standing before me, –

Und wie die Sinne langsam mir vergehen, And as the senses slowly pass me by,

Trägt mich ein Hauch zu morgenroten Höhen. A touch carries me to morning-red heights.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Piano

Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella

Product no.: 31320

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3.00 €

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Delivery weight: 44 g

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The composition Bittgebet (Supplication) op. 91 for male choir based on words by Friedrich Holzapfel was written in 1936.

Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

11 - 20 of 29 results

recording • processing • production • publication - If music be the food of love, sing on, sing on, sing on ... (Shakespeare)

recording • processing • production • publication

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: Psalm 150 op. 15 for boys' choir and mixed choir

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: On a gravestone op. 4 for male choir

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: There were three holy women op. 2 for mixed choir

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: Hymn of Praise op. 26 for boys' choir, male choir and organ

Navigation Shop Sheet music Maury, Arnold: Agitato for clarinet and piano

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: Cantate carmen carminum op. 6 – Consecration song for male choir

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: The Postillon op. 10 for mixed choir a cappella

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella

Kranzhoff, Ferdinand Wilhelm: Psalm 150 op. 15 for boys' choir and mixed choir

Kranzhoff, Ferdinand Wilhelm: On a gravestone op. 4 for male choir

Kranzhoff, Ferdinand Wilhelm: There were three holy women op. 2 for mixed choir

Kranzhoff, Ferdinand Wilhelm: Hymn of Praise op. 26 for boys' choir, male choir and organ

Maury, Arnold: Agitato for clarinet and piano

Kranzhoff, Ferdinand Wilhelm: Cantate carmen carminum op. 6 – Consecration song for male choir

Kranzhoff, Ferdinand Wilhelm: The Postillon op. 10 for mixed choir a cappella

Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella