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If music be the food of love, sing on, sing on, sing on ... (Shakespeare)

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Navigation Shop Sheet music Gebhard, Hans: Proprium for a holy festival for mixed choir and organ

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Navigation Shop Sheet music Gebhard, Hans: Proprium for a holy festival for mixed choir and organ (organ score)

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella

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Navigation Shop Sheet music Victoria, Thomás Luis de: Missa "O magnum mysterium“ for mixed choir a cappella

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Navigation Shop Sheet music Gebhard, Hans: "Lasset das Wort Christi" motet for mixed choir a cappella

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Navigation Shop Sheet music Gebhard, Hans: Proprium for a holy festival for mixed choir and wind ensemble

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Navigation Shop Sheet music Kranzhoff, Ferdinand Wilhelm: German Mass op. 76 for mixed choir a cappella

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Navigation Shop Sheet music Bruckner, Anton: „Locus iste" for mixed choir a cappella

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Gebhard, Hans: Proprium for a holy festival for mixed choir and organ

Product no.: 31314
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The "Proprium for a saint festival" for four-part choir and obligatory organ was composed by Hans Gebhard in 1998. Proprium is the term used to describe the parts of Mass that change from one festival to another (in contrast to the Ordinarium, the texts that are always consistent, such as Kyrie, Gloria, etc.).

The motet received the 2nd prize in the composition competition of the Archdiocese of Paderborn (Germany) in 1998.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir, Organ

Gebhard, Hans: Proprium for a holy festival for mixed choir and organ (organ score)

Product no.: 31314a
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14.98 €
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Delivery weight: 1,881 g


The "Proprium for a saint festival" for four-part choir and obligatory organ was composed by Hans Gebhard in 1998. Proprium is the term used to describe the parts of Mass that change from one festival to another (in contrast to the Ordinarium, the texts that are always consistent, such as Kyrie, Gloria, etc.).

The motet received the 2nd prize in the composition competition of the Archdiocese of Paderborn (Germany) in 1998.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir, Organ

Kranzhoff, Ferdinand Wilhelm: „An den Tod“ op. 73.1 for boys' choir and male choir a cappella

Product no.: 31316
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3.10 €
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Delivery weight: 44 g


The composition "An den Tod" (To the death) op. 73.1 for boys' choir and male choir based on words by Gerrit Engelke (1890-1918) was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

Lyrics:

An den Tod                                       To death
Gerrit Engelke (1890–1918)                         Gerrit Engelke (1890–1918)
 
Mich aber schone, Tod,                           But spare me, death,
Mir dampft noch Jugend blutstromrot –        Youth is still steaming me blood red –
Noch hab ich nicht mein Werk erfüllt,         I have not fulfilled my work yet,
Noch ist die Zukunft dunstverhüllt –              The future is still covered with haze –
Drum schone mich, Tod!                             So spare me, death!
 
Wenn später einst, Tod,                             When later, once, death,
Mein Leben verlebt ist, verloht                   My life is spent, burned up
Ins Werk – wenn das müde Herz sich neigt, Into the work – when the tired heart declines,
Wenn die Welt mir schweigt –                         When the world falls silent to me –
Dann trage mich fort, Tod!                         Then carry me away, death!
  
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Kranzhoff, Ferdinand Wilhelm: In the field of Honor op. 73.2 for male choir with accompaniment

Product no.: 31317
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12.84 €
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The composition Auf dem Felde der Ehre (In the Field of Honor ) op. 73.2 for male choir with piano or organ accompaniment was written in 1937. As the composer himself fell in the fight at an age of 36 barely three years later at the beginning of the Second World War, this work seems like a foreshadowed anticipation on the own destiny.

The movements:

  1. An den Tod (To Death) [3' 10"]
  2. Ritornel [2' 10"]
  3. Bitte (Prayer) [1' 05"]
  4. Abschied vom Leben (Farewell to life) [3' 30"]

Lyrics:

An den Tod                                                  To Death
Gerrit Engelke (1890–1918)                                    Gerrit Engelke (1890–1918)
 
Mich aber schone, Tod,                                      But spare me, death,
Mir dampft noch Jugend blutstromrot –                   Youth is still steaming me blood red –
Noch hab ich nicht mein Werk erfüllt,                    I have not fulfilled my work yet,
Noch ist die Zukunft dunstverhüllt –                        The future is still covered with haze –
Drum schone mich, Tod!                                       So spare me, death!
 
Wenn später einst, Tod,                                        When later, once, death,
Mein Leben verlebt ist, verloht                              My life is spent, burned up
Ins Werk – wenn das müde Herz sich neigt,            Into the work – when the tired heart declines,
Wenn die Welt mir schweigt –                                   When the world falls silent to me –
Dann trage mich fort, Tod!                                   Then carry me away, death!
 
III. Bitte                                                       III. Prayer
(aus „Schmücke dich, o liebe Seele“)                    (from "Adorn yourself, oh dear soul")
Friedrich Gottlieb Klopstock (1724–1803)               Friedrich Gottlieb Klopstock (1724–1803)
 
O, dass uns're Seele würde                                      Oh, that our soul would become
Frei vom Druck der Erdenbürde!                            Free from the pressure of the earthly burden!
Frei von Sünde unser Wille,                                    Free of sin our will,
Unser Herz voll Sonntagsstille!                               Our heart full of Sunday calm!
Dass von fern aus deinen Höhen                             That from afar off your heights
Wir des Lichtes Aufgang sähen,                              We see the light rising,
Das die Sel’gen dort verkläret,                               That the Blessed transfigure there,
Wo der Sonntag ewig währet.                                 Where Sunday lasts forever.
 
IV. Abschied vom Leben                              IV. Farewell to life
Theodor Körner (1791–1813)                                   Theodor Körner (1791–1813)
 
„Als ich in der Nacht vom 17. zum 18. Juni 1813    "When on the night of the 17th to the 18th of June, 1813,
schwer verwundet und hilflos in einem Holze lag    I was severely wounded and helpless in a wood and
und zu sterben meinte:“                                        said to die:"
 
Die Wunde brennt, – die bleichen Lippen beben. –  The wound burns, – the pale lips quiver. –
Ich fühl's an meines Herzens matter'm Schlage,         I feel it in the weaker beating of my heart,
Hier steh ich an den Marken meiner Tage. –              Here I stand at the marks of my day. –
Gott, wie du willst, dir hab' ich mich ergeben. –      God, as you wish, I surrendered to you. –
 
Viel gold'ne Bilder sah ich um mich schweben,         I saw many golden images floating around me
Das schöne Traumlied wird zur Todtenklage! –         The beautiful dream song becomes a threnody! –
Mut! Mut! – Was ich so treu im Herzen trage,          Courage! Courage! – What I carry so faithfully in my heart,
Das muß ja doch dort ewig mit mir leben! –              That must live there forever with me! –
 
Und was ich hier als Heiligtum erkannte,               And what I recognized here as a sanctuary,
Wofür ich rasch und jugendlich entbrannte,           Wherefore I burned quickly and youthfully,
Ob ich's nun Freiheit, ob ich's Liebe nannte,           Whether I call it freedom, whether I called it love,
 
Als lichten Seraph seh ich's vor mir stehen, –            As a shining Seraph, I see it standing before me, –
Und wie die Sinne langsam mir vergehen,              And as the senses slowly pass me by,
Trägt mich ein Hauch zu morgenroten Höhen.        A touch carries me to morning-red heights.
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Piano

Kranzhoff, Ferdinand Wilhelm: Supplication op. 91 for male choir a cappella

Product no.: 31320
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3.00 €
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The composition Bittgebet (Supplication) op. 91 for male choir based on words by Friedrich Holzapfel was written in 1936.

   
Browse these categories as well: Sheet music, Anthem, Vocals, Choir, Male choir, Church music, Organ, Knabenchor

Victoria, Thomás Luis de: Missa "O magnum mysterium“ for mixed choir a cappella

Product no.: 31323
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7.17 €
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Delivery weight: 55 g


O Magnum Mystery (O Great Mystery), the fourth responsorial chant from the Vigil at Christmas as a four-/five-part Mass by Thomás Luis de Victoria (1548-1611).

Browse these categories as well: Sheet music, Choir, Sacred music, Vocals, Church music, Christmas

Gebhard, Hans: "Lasset das Wort Christi" motet for mixed choir a cappella

Product no.: 31322
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3.75 €
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Delivery weight: 671 g


The motet „Lasset das Wort Christi reichlich unter euch wohnen“ ("Let the word of Christ richly dwell within you", Col. 3:2-17), Epistle to Sunday Cantate with integration of three choral melodies for mixed choir was premiered on May 18, 2014 in St. Petri in Hamburg by Bach Choir St Petri under the direction of Thomas Dahl.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir, Motet

Gebhard, Hans: Proprium for a holy festival for mixed choir and wind ensemble

Product no.: 31314b
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36.38 €
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Delivery weight: 1,881 g


The "Proprium for a saint festival" for four-part choir and obligatory organ was composed by Hans Gebhard in 1998. Proprium is the term used to describe the parts of Mass that change from one festival to another (in contrast to the Ordinarium, the texts that are always consistent, such as Kyrie, Gloria, etc.).

The motet received the 2nd prize in the composition competition of the Archdiocese of Paderborn (Germany) in 1998.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir, Organ

Kranzhoff, Ferdinand Wilhelm: German Mass op. 76 for mixed choir a cappella

Product no.: 31325
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18.19 €
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Delivery weight: 55 g


The German Mass op. 76 for mixed choir a cappella was composed by Ferdinand Kranzhoff in 1934.

   
Browse these categories as well: Sheet music, Vocals, Choir, Church music, Mass

Bruckner, Anton: „Locus iste" for mixed choir a cappella

Product no.: 31335
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2.89 €
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Delivery weight: 671 g


“Locus iste”, the 4th gradual for mixed choir a cappella, was composed by Anton Bruckner in 1869.

Browse these categories as well: Sheet music, Sacred music, Church music, mixed choir, Choir
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recording • processing • production • publication - If music be the food of love, sing on, sing on, sing on ... (Shakespeare)