Choral work in traditional harmony:

„Deine Hände schaffen Frieden“ (Your hands create peace) [3'10"]
(based on poems by Eva Reichlin)

collective edition

"The Prodigal Son" – Biblical scene after Luke chapter 15 for organ, piano and percussion.

The the parable of the "Prodigal Son" told by Jesus in Luke 15 is presented musically in this composition. The organ here represents the attetude of the father, the piano illustrates the life of the son. The percussion accentuates and clarifies what happens.

„The Prodigal Son“ – Biblical scene after Luke chapter 15 for Organ, Piano and Percussion.

The the parable of the "Prodigal Son" told by Jesus in Luke 15 is presented musically in this composition. The organ here represents the attetude of the father, the piano illustrates the life of the son. The percussion accentuates and clarifies what happens.

Motet for mixed choir a cappella after words by Martin Luther and Kurt Ihlenfeld.

1. Mir ist Erbarmung widerfahren (I received mercy) [1']
2. Harre, meine Seele (Wait on God and trust him) [1' 45"]
3. So nimm denn meine Hände (Lord, take my hand and lead me) [1']
4. Hosianna! Zu der Erde (Hosianna! To the earth the Prince of Peace descends) [1' 45"]
5. Bringt Preis und Ruhm dem Heiland dar (Bring praise and glory to the Savior) [2' 15"]
6. Jesus, Jesus, nichts als Jesus (Jesus, Jesus, Only Jesus) [1']
7. Ergrünt, ihr Siegespalmen (Be green, you palms of victory) [1' 10"]
8. Überwinder, nimm die Palmen (Redeemer, take the palm fronds) [1']
9. Wir pflügen und wir streuen (We plough the fields, and scatter) [1']
10. Ich ruf zu dir, Herr Jesu Christ (Lord, hear the voice of my complaint) [1' 15"]
11. Liebster Jesu, wir sind hier (Dearest Jesu, we are here) [1' 35"]
12. O Gott, du frommer Gott (Oh God, you righteous god) [1' 15"]

The 1st symphony op. 3 "Vom Ende der Tage" (About the End of Time) deals with the apocalyptic visions of John. Kaiser-Lindemann lets speak a symphonic brass orchestra that conjures up the "Day of the last trombone" together with the organ and large percussion.

Cantata for baritone, choir, oboe, vibraphone and string orchestra based on words by Jörg Zink, Kurt Ihlenfeld, Martin Luther and biblical texts.

The movements:

I. Appell - Appeal (Isa 58: 7, Mt 6:11)
II. Brot zum Leben - Bread for life (Jörg Zink)
III. Brot für die Welt - Bread for the World (Jörg Zink)
IV. Appell - Appeal (Jes. 58:7)
V. Meditation und Choralfuge - Meditation and Chorale Fugue (Martin Luther)
VI. Vor dem Essen - Before eating (Psalms 104:27)
VII. Ermahnung zur Dankbarkeit - Admonition to Gratitude (Deuteronomy 8:9)
VIII. Brot des Lebens - Bread of life (Amos 8:11)
IX. Appell - Appeal (Jes. 58:7)
X. Das Angebot - The offer (Kurt Ihlenfeld)

Cantata for baritone, choir, oboe, vibraphone and string orchestra based on words by Jörg Zink, Kurt Ihlenfeld, Martin Luther and biblical texts.

The movements:

I. Appell - Appeal (Isa 58: 7, Mt 6:11)
II. Brot zum Leben - Bread for life (Jörg Zink)
III. Brot für die Welt - Bread for the World (Jörg Zink)
IV. Appell - Appeal (Jes. 58:7)
V. Meditation und Choralfuge - Meditation and Chorale Fugue (Martin Luther)
VI. Vor dem Essen - Before eating (Psalms 104:27)
VII. Ermahnung zur Dankbarkeit - Admonition to Gratitude (Deuteronomy 8:9)
VIII. Brot des Lebens - Bread of life (Amos 8:11)
IX. Appell - Appeal (Jes. 58:7)
X. Das Angebot - The offer (Kurt Ihlenfeld)

The Hymn of Praise op. 26 for boys' choir, male choir and organ based on words by Emanuel Geibel (1815-1884) was written in 1925. By integrating the ending sequence from the German national anthem into the final bars, the composer builds a bridge from the spiritual side to the secular present of time in the hope of a peaceful future through a unification of both aspects.

The motet „Ein jegliches hat seine Zeit“ (Every thing has its time, Ecclesiastes 3: 1-11, one of the most important texts from the Old Testament) for mixed choir was composed by Hans Gebhard in 1992.